Writing the Hard Stuff

Ivan’s Wife is heading toward the finish line. The characters have been fun to write and sometimes heartbreaking. In this later chapter, Dimitri faces his death with unexpected courage. He has certainly evolved from the first draft—in a pleasing way—at least to me. In this excerpt, Dimitri is in a Soviet hospital heading to the toughest prison in Russia: 

It was a march through hell. The clink of the metal shackles dragging on the cement floor was the only sound. The hallway stunk of ammonia and old pipes. The rooms were empty; the only inhabitants seemed to be the nurses and guards. Hadn’t seen a single patient. That made me wonder if this was a place Ivan had set up for my execution. Maybe I wasn’t on my way to the showers at all. Couldn’t help wonder if I might be headed for the dead end room the nurse had talked about. Maybe Ivan just wanted to get my death over with. 

Logically, I should be shaking, pleading, hyperventilating, and coming out of my skin. But I wasn’t. I was pissed. Furious. My body stiffened, and I held my head up. Yeah, I was held captive and bound in chains, but I felt strong. Fueled by outrage and a shitload of anger. I never hurt anyone. Never cheated on my wife. I always opened the door for a woman and remembered my manners. I never took a penny from anyone that I hadn’t earned. The sorrow on a child’s face made me cry. The creases on an elder’s face and the weariness in their stride made me want to talk to them. Yes, I drank to excess, did drugs, and abused myself. I did. But the only person I never loved was myself. 

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No Better Friend

It starts with Christian asking Dimitri about his recent stay in a mental hospital:

Dimitri answers:

“No worse for wear. Anna’s been staying out of my hair, and Consuelo’s been trying to fatten me up. The doctors have called a few times, wanting me to schedule an appointment, but I don’t need to. I can already hear the lecture on the miracle of psychotropic drugs. A few days with my wife, and I’m better than new.” 

Christian grew quiet, rubbing his forehead. “Dimitri, maybe that’s not such a good idea.”

“What’d you mean?”

“Therapy and medicine might help you, buddy.”

“Hell, no! Yeah, I’m screwed up, but I’m not a psycho. All I need is to steer clear of my weird niece and for my father to stop treating me like a goddamn disease.”

“Calm down,” said Christian. All I meant was that a lot has happened, and maybe this is your time to finally figure out what’s causing the delusions and whatnot. You can’t blame Ivan and Anna for everything, and Elena is not a panacea.”

“Bullshit!” I snapped. “My wife is pampering me. Being with her makes me forget the last few weeks. And when did you become Sigmund Freud? You had a Norman Rockwell childhood with two parents who adored you. Find a skid mark in your life, and then we’ll talk!”

A red flush spread across his face. He put his fists on his thighs, his chest slowly moving up and down. He reminded me of the poor saps at the asylum sitting in the waiting room before shock therapy. “Hey, I’m sorry, man…I didn’t mean anything. I can be an asshole. What can I do? I love you, man, you know that.”

He wouldn’t talk. The stress had built a nasty rash on his neck; I doubted he knew because he kept scratching it, which made it worse. I’d never seen Christian like that; it made me feel like a terrible friend. 

He gave me a passing glance with a slight nod, signaling he accepted my apology. I felt like crap; Christian had visited me every day at Clayborn, and the nurses said he stood outside my room for hours when I was in solitary. There was no better friend. Christian was the saint to my devil. I loved the guy. 

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Indifference and Passion

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Crowded Room

Crowded Room

Ivan’s Wife is almost in the edit stage. Hardest ending ever. But, who likes simple? Not me. I’ve enjoyed the characters and the crazy parallels. In this excerpt, Dimitri finds his private room invaded. There is an interesting parallel at the end he won’t see coming.

I carefully set down my mother’s picture and listened. It had to be my imagination, like waking up in the middle of the night thinking you’d heard a suspicious noise downstairs. But, when I turned toward the door, I noticed two shadows poised like evil specters in the hallway. It was true. My sanctuary had been invaded. 

And the door had no lock. 

Another knock. A little heavier this time. But, still oddly rhythmic. Not a man’s knock. One knuckle. Three taps. Hardly a demand to open the door but not tentative either.

“Uncle Dimitri?”

“Shit,” I whispered, feeling blood rush like storm troopers to my head. Prickly sensations crept through my body as every muscle readied for battle. Anna. No way could I allow her to get away with invading my private space. A place that, until now, was known only to me. The safe haven where I talked with my mother.

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Two More

Two more chapters and Ivan’s Wife is finished. The final two chapters are challenging but my characters will come through. In this chapter, Dimitri arrives in Moscow for his father’s long awaited opera.

It was easy to get lost in the magic of the old theatre. I could feel the creative presence of musicians taking the stage to share their art with theatre goers over the last two centuries. Whether it was war or famine, triumph or sorrow, music had the ability to touch the hearts of friends and enemies in much the same way. A myriad of emotions, nurtured through the passing of time, rippled through the theatre and quieted my racing heart. If only music could have united my father and me—if only for a time. 

I have thoroughly enjoyed Dimitri. He was a pleasure to develop and I’m not ready to let him go. Thankfully, I have one more edit before the book goes to print.

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Evolving Characters

One of the characters in Ivan’s Wife is a mysterious young girl who comes to live with her uncle after her father’s death. Dimitri doesn’t trust her and suspects she is working against him. When she shows a rare vulnerability, he wonders if there is more to her peculiar behavior. 

I admired the palms and the way the shadowy fans stood like giant tarantulas against the night sky. The patio, where Clarissa and I often dined, had a muted glow. Consuelo must have put some wood in the fireplace; my wife always did that when she had something to celebrate. No doubt she was drinking champagne with Ivan to celebrate the funding for her upcoming movie. The veranda, with its towering trees and flaming torches, was the perfect spot for the party of two. 

Of course, I was avoiding my niece. I waited for her to utter some deft comment and dart off. But she didn’t. She lingered, slumped with her hair draped in front of her face like a black veil, idly kicking the dirt. She was silent, other than an occasional exhale. With her arms wrapped around herself and her head bowed, she seemed much younger than her fifteen years.

Her eyes were watery and teardrops dangled from her nose and lips like beads on a chandelier. She buried her face in her hands.

My heart fluttered aimlessly in my chest as I stepped back, gawking at the stranger in front of me. Questions dangled in my mind like a game of hangman. Was this a trick? This was not the girl I’d known for a year. Was she laughing behind the tears? Another one of Ivan’s plots? After all, she showed up minutes after my father left. This had to be an act. Ivan bobbed and weaved like a prizefighter; I, however, felt like a fool navigating with rudders in the sand. Her abrupt personality change had to be a trick. No one could change that fast.

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Music in the Shadows

Ivan, a famous and celebrated composer, sees his son, Dimitri, as a failure. He discounts him not only for his mental problems but his lack of musical abilities. But, growing up under the weight and criticism of a Svengali only pushes Dimitri’s talent into the shadows. In this scene, we see how Dimitri feels about the music his father could never see.

“Good,” I said, turning back to Delia. There was something about her. She sat with her long graceful arms in her lap, so still yet fluid, her beautiful face holding onto a sight that no one else could see. Every so often, her lips would part as she mouthed the words, “Nussun Dorma,” an Italian song of love often sung at weddings. I wondered if it might be their song, symbolizing the love she had for her husband. Music stirred people. I’d seen it many times at the restaurant. Many a man and woman dropping their composure over a song, peeling back the shell that life destroyed and exposing the soul that made them human. I’d seen a song transform a monotone heart into an eager kiss full of fire and raging desire.

I took a deep breath, moving my hands in small circles to warm them. Nussun dorma was not easily transformed into a solo piano piece. I steadied myself, feeling the keys beneath my fingers as I mouthed the words, “None shall sleep, even you, oh, Princess.” The emotion of the piece took over, breaking the silence of the room, filling me. The notes seemed to touch my fingers and spread outward, melancholic yet stirring. The space between the music and the world disappeared.

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